Making Music Speak for Those Without a Voice
This morning's New York Times carries a great report on the Monday night concert "Requiem for Darfur" at Carnegie Hall. George Mathew, the conductor of the orchestra was also the organizer of the concert -- gathering musicians, students from Juliard as well as top professionals from many orchestras around the world, and organizing the recipients of the funds, UNICEF, Refugees International, Jewish World Service and the National Council of Churches. The NCC as a member of the Save Darfur Coalition is already engaged in advocacy. However, we hope to use the funds to take a delegation of religious leaders to connect with religious leaders in Sudan, to raise public awareness and advocate for a just settlement of the issues.
Verdi's great work, presented not just as a prayer for the dead but as a call to compassion and purpose, came through affectingly. The apocalyptic Dies Irae ("The day of wrath, that day will dissolve the world in ashes") is always chilling. But it is hard to describe the effect of hearing this ferocious music while seeing a photograph by Ron Haviv projected on the wall behind the performers: it showed a painting by a Sundanese boy (now a refugee in Chad) of his home village burning, with bodies on the ground and attacking militia on horses.
Mia Farrow (UN goodwill ambassador to Darfur) and Jan Egeland (former UN Under Secretary General for Humanitarian Affairs) spoke at the concert. Pictures taken by Ms. Farrow were projected to the wall behind the orchestra. To me, the concert was a prayer, both of intercession for the people of Darfur and of commitment to redouble my efforts for a just solution there.
I join in the chorus of congratulations to George Mathew for this masterful accomplishment!